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Devil's Due
20th Century Fox
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‘Devil’s Due’ Review

A newlywed couple (Allison Miller and 'Friday Night Lights' star Zach Gilford) returns home from their honeymoon with an unexpected pregnancy, but as the husband documents their lives, the pair begin to notice that something isn't quite right with the baby. 'Devil's Due' is the latest entry in the found footage horror genre, and while it does have its fair amount of creative visual effects, the thrills are hardly thrilling in this paint by numbers occult chiller. 

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Ride Along review
Universal Pictures
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‘Ride Along’ Review

If you’ve recently watched Antoine Fuqua’s hard-bitten 2001 cop drama ‘Training Day’ and found yourself imagining what it would look like with a zippy comedic cast and a bizarrely convoluted plotline, Tim Story’s 'Ride Along' is the answer to your oddly specific cinematic dreams. For the latest round of big screen "good cop, bad cop, dumb cop," Kevin Hart and Ice Cube star as diametrically opposed do-gooders with very different ways of getting things done, even as they both rigorously adhere to the letter of the law.

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Nut Job review
Open Road Films
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‘The Nut Job’ Review

Animated animals have long been used as cuddly, fluffy stand-ins for actual human beings and their fraught interactions, and director Peter Lepeniotis' 'The Nut Job doesn’t break from that tradition in the slightest, using the hungry inhabitants of a sunny park to frame up an allegory about political machinations and maneuvering.

No. Really. That’s what 'The Nut Job,' an animated film about squirrels trying to steal nuts from a local nut shop, is about. Politics.

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The Legend of Hercules Review
Millennium Films
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‘The Legend of Hercules’ Review

In the late 1950s, American bodybuilder Steve Reeves somehow ended up in Italy and made a cheapo production of 'Hercules.' It spawned an avalanche of knockoff strongmen films -- some starring Reeves, some featuring a rather malleable new character named Maciste -- and are just wretched examples of boring cinema that, for whatever reason, I ended up seeing quite a bit of as a little kid. But to an 8-year-old back then, sub-Ray Harryhausen special effects and wafer-thin plots still managed to impress. Hey, it was a Sunday afternoon and a color TV.

It's easy to say “they don't make 'em like that anymore,” but the spirit of these garbage movies is alive and well in Renny Harlin's charmingly awful 'The Legend of Hercules.' Starring Kellan Lutz as a block of concrete that has to fake the classic British accent (even though Hercules is Greek), this is boring by-the-numbers dross from the artless Millennium Films, best known for 'The Expendables' films. It has maybe three good fight scenes and two moments that are so over-the-top bad you just have to laugh, and that makes for some undeniable entertainment. The best way to describe 'The Legend of Hercules' is as the fake movie that teenagers in movies go to see.

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Anchorman 2 Review
Paramount
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‘Anchorman 2′ Review

There are a handful of extremely funny, laugh-out-loud moments in 'Anchorman 2: The Legend Continues.' One happens early – the reveal that David Koechner now runs a cut-rate fast-food joint that saves money by serving fried bats (or, as he calls it, “chicken of the cave"). Another is a retread from the first film – a battle royale of news teams from various networks, but this time even more extreme. There's also great humor in what I suppose passes for “the point” of this movie – that lowest common denominator attitudes like those of Will Ferrell's Ron Burgundy are what inadvertently invented the cesspool of modern cable news.

Of course, what you will find funny is entirely dependent on your own taste, but these highlighted scenes (and several others, I must point out) really landed with me. It struck me later, as I was trying to piece together why the movie felt about six hours long, that these moments were all dependent on gags that could not have been ad-libbed. Ferrell, Koechner, Paul Rudd, Steve Carell and the rest of the gang are deservedly respected for their quick-thinking comedy chops. When they get together and riff, few can top them. The problem is that 'Anchorman 2' relies on this far, far too much. It's like a a dessert plate where mounds of fluffy whipped cream obscures the fact that, underneath, there's only a tiny bite of pie.

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The Hobbit The Desolation of Smaug Review
Warner Bros.
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‘The Hobbit: The Desolation of Smaug’ Review

There comes a time when we must stop kidding ourselves. These 'Hobbit' films – with 'The Desolation of Smaug' representing the shank of the trilogy – are not real movies. These are exploitation films for Tolkien nuts, for enthusiasts of the original 'Lord of the Rings' movies and for audiences so hungry for high fantasy they'll gobble up whatever is served to them and ask for seconds.

As someone who has sympathy, but not empathy, for those who have such proclivities, I can get why someone might come away liking this picture. But that is more of an involuntary reaction to exposure to certain elements, not the summation of a film. Listen, there's a grey-bearded wizard who warns in low tones about a place that sounds like “Doggledoor.” And there's someone referred to as “Thorin son of Thrain son of Thror.” I love that geekorama stuff more than most. It's hilarious, and I'll probably refer to my cat as “Thorin son of Thrain son of Thror” for the next week. But this movie doesn't cohere – there's no forward momentum, no character development, no story happening. Anyone who tells you otherwise is a fibber.

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American Hustle review
Sony Pictures
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‘American Hustle’ Review

There is so much hair in 'American Hustle.'

Christian Bale's disastrous comb-over/rug combo basically opens the film with a wordless monologue. Beneath that unnatural mop is the sharp mind of Irving Rosenfeld, a “from the feet up” con man making the leap from running legit (but boring) dry cleaning businesses to grifting down-on-their-luck rubes on bad bank loans. His operation starts taking off when he hooks up with Amy Adams, a natural businesswoman looking to reinvent herself. She does this with a name change, a phony British accent and, later in the film, by frizzing her hair out to preposterous proportions.

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Frozen Review
Disney
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‘Frozen’ Review

Sometimes great artistry comes from coloring inside the lines.

Walt Disney Animation's newest film, 'Frozen,' does precious little to push the boundaries of narrative storytelling. Indeed, it is a quite predictable – might I even suggest formulaic - culmination of elements. While picking over the bones of a half-remembered Hans Christian Andersen story, 'The Snow Queen,' Jennifer Lee and Chris Buck's film expands certain themes, disposes of some characters and, of course, modernizes a bit for contemporary audiences. However, miraculously, this doesn't feel like a Xerox of a Xerox impersonating a classic Disney film. There's precious little winking; hardly any of the 'Shrek'-effect. 'Frozen' has enough of the goods to play it straight and succeed on its own terms. It is a major entry in family-friendly entertainment, one that ought to reverberate for years with tie-in toys and stage productions.

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Oldboy review
FilmDistrict
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‘Oldboy’ Review

You'd think that a guy trapped in a hotel room for 20 years would find a better movie to be in once he got out, right?

'Oldboy,' Spike Lee's remake of the Park Chan-wook cult film from 2003, is a fairly rotten film, which is strange because it is very similar to the rather effective original. Sometimes, though, there's something gained in the translation.

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Delivery Man Review
DreamWorks
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‘Delivery Man’ Review

To be a heart-on-your-sleeve weepie in 2013, you've got to have some far-fetched gimmick. 'About Time' has time travel, 'Safe Haven' had ghosts and 'Delivery Man' has Vince Vaughn as an anonymous sperm donor hunted down by hundreds of his young-adult offspring. The mechanics of the plot are so ludicrous that audiences should be forgiven for shouting, “No, sorry, it wouldn't work that way!” back at the screen. But one has to give the movie credit for its sheer audacity. It refused to offer an explanation for its instigating illogic. Great character actor Damian Young gets the unenviable task of delivering the hook with the phrase “certain complications arose ...”

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