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‘Everest’ Trailer: All of Your Favorite Actors Get Their Asses Kicked by a Mountain

Hollywood has seen its fair share of movies where man attempts to conquer nature, only to find himself thoroughly humbled. Everest looks to continue that trend, putting one of the best ensembles in recent memory smack-dab in the middle of Mother Nature’s wrath. As the title implies, the film deals with an expedition up the world’s tallest mountain going oh-so-horribly wrong. As the trailer shows us, an Everest expedition going wrong looks like an incredible movie.

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Category: movie reviews
Spy Melissa McCarthy
20th Century Fox
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‘Spy’ Review: An Empowering but Uneven Female Spy Spoof

Paul Feig’s The Heat took a genre that has traditionally belonged to men — the buddy cop movie — and gave it a female twist. Feig’s new movie, Spy, does much the same thing, this time for spy films, a world that has long been by, about, and for dudes and their power fantasies. Spy explicitly subverts the genre’s typical gender dynamics by casting Melissa McCarthy as a lowly, desk-bound CIA analyst named Susan Cooper, who has spent her entire career in the shadow of a glamorous James Bond-esque spy (Jude Law) and then finally gets her opportunity to step into the spotlight and become a full-fledged field agent.

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Entourage Movie
Warner Bros.
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Review: The ‘Entourage’ Movie Is Basically ‘Entourage’ Season 9 on a Larger Screen

That’s Entourage in a nutshell. Whenever things threaten to get too serious, the show (and now the film) would just trot out a celebrity cameo or two, distract the audience for a couple minutes, and then carry on as if nothing ever happened. For better or worse, the Entourage movie is an extremely faithful adaptation of the Entourage television show. All the main characters and most of the key supporting players from the show’s eight seasons are back, along with series creator Doug Ellin (who co-wrote and directed the movie). Even though the TV show ended with its lovable bad boys making their first tentative steps toward maturity and monogamy — Vince gets engaged, his manager Eric (Kevin Connolly) finally settles down with his pregnant ex-girlfriend Sloan (Emmanuelle Chriqui), and Ari decides to retire to spend more time from his family — all of that gets instantly erased before the movie’s opening credits roll. Status quo restored, Vince, Eric, Ari, Turtle (Jerry Ferrara), and Johnny Drama (Kevin Dillon) return to their luxurious, lascivious ways with R-rated abandon. Shouldn’t these characters have grown up by now?

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San Andreas 1
Warner Bros.
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‘San Andreas’ Review: Seek Cover From This Dumb Disaster Movie

The classics of this genre featured danger and destruction on a scale a guy could wrap his head around; a hijacked airplane, a skyscraper on fire, a capsized ocean liner filling with water. But when you live by spectacle, you die by it too. And so the disasters got bigger and bigger, one movie trying to top the next, until it became an arms race of planetary devastation. One movie blows up the White House, the next one washes it away in a tidal wave. Where do you go from there? An exploding tidal wave? At this point, if your disaster movie isn’t eradicating a large portion of the globe, don’t even waste your time.

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Category: movie reviews
Poltergeist
20th Century Fox
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‘Poltergeist’ Review: A Decent Remake Haunted By the Spirit of the Original

Everything that goes wrong in Poltergeist stems from an act of desecration; the building of a cookie-cutter housing development on top of an old cemetery. Some might find the sheer act of attempting a remake of Poltergeist similarly disrespectful; the 1982 original is something of a masterpiece of suburban terror. But if viewers can look past the sheer audacity of attempting another Poltergeist, they’ll find a solid modernization, the cinematic equivalent of a decent cover version of a great rock song. It’s totally superfluous, and not nearly as satisfying as the original, but well-performed and effective in its own way. It’s nice (or, in this case, deeply unsettling) to revisit an old classic in a new arrangement.

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Mad Max Fury Road
Warner Bros.
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‘Mad Max: Fury Road’ Review: The Ultimate Car Chase Movie

“This is a movie that strains at the leash of the possible, a movie of great visionary wonders.” That lovely sentence concluded Roger Ebert’s 1985 review of Mad Max Beyond Thunderdome. Thirty years later, Mad Max is finally back in a new sequel, Mad Max: Fury Road, and Ebert’s words feel truer than ever. Fury Road is an incredible achievement, one that strains so hard at the leash of the possible that it eventually breaks free and barrels headlong into the realm of insane genius. Forget Max Rockatansky; director George Miller, the guy who co-conceived and shot this gorgeous, glorious lunacy, is the true madman here. And the true hero for having pulled it off.

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Avengers 2 review
Marvel
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‘Avengers: Age of Ultron’ Review: Joss Whedon Assembles an Inspiring Blockbuster

There’s a lot to like about Avengers: Age of Ultron, but the coolest thing about it is the way it reclaims the comic book part of the phrase “comic-book movie.” Rather than using these characters to do something “edgy” or “adult” or “important,” or sanding down their quirkier edges to appeal to as broad and mainstream an audience as possible, Age of Ultron doubles down on its source material’s geeky origins.

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Cinderella review
Walt Disney Pictures
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‘Cinderella’ Review: This Old Fairy Tale Still Has Some Magic

The name “Disney” brings to mind images of fair princesses, charming princes, magical fairy tales, and simple happily ever afters. In recent years, though, Disney has begun rethinking their classic properties, and releasing more thematically complex versions of their famous films. Sleeping Beauty became Maleficent, which turned a wicked witch into a sympathetic anti-hero; a whole mess of fairy tales turned into Into the Woods, where happily ever after preceded a whole bunch of death and tragedy. The ranks of Disney Princesses grew to include women like Merida, the bow-slinging heroine of Brave, and Anna and Else from Frozen, who rescued each other from an prince, rather than the other way around. Every value and concept that Disney had established and reinforced through decades of repetition was seemingly up for reconsideration and revision.

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Chappie
Columbia
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‘Chappie’ Review: Highly Artificial, Limited Intelligence

The technology in Neil Blomkamp’s movies is so fully realized and intricately detailed that it feels like another one of his characters. Now Blomkamp’s made Chappie, a film where that’s literally true in the form of a police robot given the gift of human consciousness. The result is one giant metaphor for itself; a story of the world’s first true artificial intelligence and how it is almost corrupted by violence, presented in a movie where any semblance of serious consideration of what it means to be alive is drowned out by gunfire, explosions, and macho posing.

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Category: movie reviews
Focus image
Warner Bros.
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‘Focus’ Review: Welcome Back, Movie Star Will Smith

It’s been a decade since Will Smith was “Will Smith” onscreen. Sure, he’s made movies in the last ten years; science-fiction pictures, dramas, comedies. He even played Satan, once. But none of them riffed on that classic Will Smith persona that everyone loves; the infectious charm, the seductive smile, the cocky but casual swagger. (What’s that? Men in Black 3? No, they never made a third Men in Black. You must be confused.)

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Category: movie reviews

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