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Spy Melissa McCarthy
20th Century Fox
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‘Spy’ Review: An Empowering but Uneven Female Spy Spoof

Paul Feig’s The Heat took a genre that has traditionally belonged to men — the buddy cop movie — and gave it a female twist. Feig’s new movie, Spy, does much the same thing, this time for spy films, a world that has long been by, about, and for dudes and their power fantasies. Spy explicitly subverts the genre’s typical gender dynamics by casting Melissa McCarthy as a lowly, desk-bound CIA analyst named Susan Cooper, who has spent her entire career in the shadow of a glamorous James Bond-esque spy (Jude Law) and then finally gets her opportunity to step into the spotlight and become a full-fledged field agent.

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Warner Bros.
Warner Bros.
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Clint Eastwood to Direct Movie About Heroic Pilot Chelsey ‘Sully’ Sullenberger

On January 15, 2009, US Airways Flight 1549 was struck by a flock of geese during takeoff from LaGuardia Airport. The plane’s captain, Chelsey “Sully” Sullenberger, successfully brought the plane down in the Hudson River, where all 155 passengers and crew members were evacuated and survived. It was an incredible story, one that played out in real time on the news; I vividly remember being at the 2009 Sundance Film Festival and watching the whole rescue play out on television.

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Marvel
Marvel
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Rumor: Marvel’s ‘Ant-Man’ Will Lay the Groundwork For the New Spider-Man

By now, everyone is familiar with the interconnectedness of the Marvel Cinematic Universe and how every film references what came before and what’s arriving next. So it makes sense that Ant-Man, the riskiest Marvel endeavor yet, will supposedly be filled with references to one of Marvel Studios’ surest things: the new Spider-Man. We guess the bug-themed superheroes have to stick together, huh?

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Category: Movies
Entourage Movie
Warner Bros.
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Review: The ‘Entourage’ Movie Is Basically ‘Entourage’ Season 9 on a Larger Screen

That’s Entourage in a nutshell. Whenever things threaten to get too serious, the show (and now the film) would just trot out a celebrity cameo or two, distract the audience for a couple minutes, and then carry on as if nothing ever happened. For better or worse, the Entourage movie is an extremely faithful adaptation of the Entourage television show. All the main characters and most of the key supporting players from the show’s eight seasons are back, along with series creator Doug Ellin (who co-wrote and directed the movie). Even though the TV show ended with its lovable bad boys making their first tentative steps toward maturity and monogamy — Vince gets engaged, his manager Eric (Kevin Connolly) finally settles down with his pregnant ex-girlfriend Sloan (Emmanuelle Chriqui), and Ari decides to retire to spend more time from his family — all of that gets instantly erased before the movie’s opening credits roll. Status quo restored, Vince, Eric, Ari, Turtle (Jerry Ferrara), and Johnny Drama (Kevin Dillon) return to their luxurious, lascivious ways with R-rated abandon. Shouldn’t these characters have grown up by now?

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San Andreas 1
Warner Bros.
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‘San Andreas’ Review: Seek Cover From This Dumb Disaster Movie

The classics of this genre featured danger and destruction on a scale a guy could wrap his head around; a hijacked airplane, a skyscraper on fire, a capsized ocean liner filling with water. But when you live by spectacle, you die by it too. And so the disasters got bigger and bigger, one movie trying to top the next, until it became an arms race of planetary devastation. One movie blows up the White House, the next one washes it away in a tidal wave. Where do you go from there? An exploding tidal wave? At this point, if your disaster movie isn’t eradicating a large portion of the globe, don’t even waste your time.

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Category: movie reviews
Poltergeist
20th Century Fox
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‘Poltergeist’ Review: A Decent Remake Haunted By the Spirit of the Original

Everything that goes wrong in Poltergeist stems from an act of desecration; the building of a cookie-cutter housing development on top of an old cemetery. Some might find the sheer act of attempting a remake of Poltergeist similarly disrespectful; the 1982 original is something of a masterpiece of suburban terror. But if viewers can look past the sheer audacity of attempting another Poltergeist, they’ll find a solid modernization, the cinematic equivalent of a decent cover version of a great rock song. It’s totally superfluous, and not nearly as satisfying as the original, but well-performed and effective in its own way. It’s nice (or, in this case, deeply unsettling) to revisit an old classic in a new arrangement.

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Category: movie reviews
Jemal Countess, Getty Images
Jemal Countess, Getty Images
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Did You Know These Actors + Entertainers Are From the Flint Area?

You probably don't think of Flint as a huge launchpad to Hollywood success, but we were surprised to learn just how many talented entertainers have emerged from the area.

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Mad Max Fury Road
Warner Bros.
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‘Mad Max: Fury Road’ Review: The Ultimate Car Chase Movie

“This is a movie that strains at the leash of the possible, a movie of great visionary wonders.” That lovely sentence concluded Roger Ebert’s 1985 review of Mad Max Beyond Thunderdome. Thirty years later, Mad Max is finally back in a new sequel, Mad Max: Fury Road, and Ebert’s words feel truer than ever. Fury Road is an incredible achievement, one that strains so hard at the leash of the possible that it eventually breaks free and barrels headlong into the realm of insane genius. Forget Max Rockatansky; director George Miller, the guy who co-conceived and shot this gorgeous, glorious lunacy, is the true madman here. And the true hero for having pulled it off.

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Category: movie reviews
Moms
Vimeo
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Movie Moms Compilation Will Pump You Up for Mother’s Day

Mother's Day is one short guilt trip away from being here, so why not let this moving video get you in the spirit of the day?

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Category: Movies, Video
Avengers 2 review
Marvel
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‘Avengers: Age of Ultron’ Review: Joss Whedon Assembles an Inspiring Blockbuster

There’s a lot to like about Avengers: Age of Ultron, but the coolest thing about it is the way it reclaims the comic book part of the phrase “comic-book movie.” Rather than using these characters to do something “edgy” or “adult” or “important,” or sanding down their quirkier edges to appeal to as broad and mainstream an audience as possible, Age of Ultron doubles down on its source material’s geeky origins.

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