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movie reviews - Page 5

Ender's Game Review
Summit Entertainment
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‘Ender’s Game’ Review

The kids today and their video games! Well, if Gavin Hood's adaptation of Orson Scott Card's beloved sci-fi novel, 'Ender's Game,' is any indicator, the fragging youngsters of today may become the saviors of tomorrow. Whether they want to or not.

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Category: movie reviews
Bad Grandpa review
Paramount Pictures
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‘Jackass Presents: Bad Grandpa’ Review

If the sudden appearance of a surprisingly stretchy prosthetic penis trapped inside a soda machine at the hands of a horny old widower in Jeff Tremaine’s ‘Bad Grandpa’ doesn’t drive you out of the theater, you’ll likely do just fine with the latest entry from the ‘Jackass’ crew and their ever-shrinking bag of gross-out gags.

After all, Johnny Knoxville’s eponymous “bad grandpa” Irving Zisman starts humping the vending machine within the film’s first five minutes, making it crystal clear what sort of production we’re in for. 'Bad Grandpa' is the latest from the creative team behind ‘Jackass,’ taking one of their favorite character creations on the road for one of the most ill-fated and weirdly amusing road trips in recent cinematic memory.

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Carrie review
Screen Gems
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‘Carrie’ Review

For a gal named Carrie White, she's sure got a lot of red on her.

Watching Kimberly Peirce's 'Carrie' is an odd experience. If you've seen Brian De Palma's version from 1976, this new version is - and there's really no point in denying this - like watching a cover band. There's a tweaked scene here and there (including a new, creepy-as-heck opening) plus the addition of cell phones and references to 'Dancing With The Stars.' This remake, more than most, really feels like hitting the same marks. It may be a peculiarity specific to 'Carrie,' because, let's face it, not a whole heck of a lot happens in this story. Considering most moviegoers' familiarity, there's plenty of room to stew and think, "Why is this considered such a classic?"

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Category: movie reviews
Captain Phillips review
Sony Pictures
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‘Captain Phillips’ Review

With piracy drama 'Captain Phillips,' Paul Greengrass ('Bloody Sunday,' 'United 93') has defended his ground as the go-to man for tragic, reality-based pressure-cooker films. The dude really knows how to get your palms sweaty, even when you kinda-sorta know how things are going to end up. Note to self: don't take your cargo ship through the Somali Basin if you don't have to.

Greengrass is also the director of the best two 'Bourne' movies ('Supremacy' and 'Ultimatum') and just as Matt Damon glided through those films as the steely, mixed-martial killing machine, Tom Hanks' center-seat performance here is a master class in keeping it cool.

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Machete Kills Review
Open Road Films
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‘Machete Kills’ Review

'Machete Kills,' Robert Rodriguez's follow-up to 2010's 'Machete,' ditches the grindhouse aesthetic and homage, and instead tries to emulate a late-'80s, early-'90s action flick -- basically, Rodriguez made the kind of movie he often makes. The result is an uninspired, joyless and oft-trashy exercise in self-indulgence. Rodriguez has spent his career making films the way he wants in his own backyard, and while you kind of have to admire the audacity of it all, the intent is questionable at best.

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Insidious Chapter 2
FilmDistrict
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‘Insidious Chapter 2′ Review

Director James Wan and writer Leigh Whannell return to the spooky fun house with 'Insidious Chapter 2,' marking Wan's second horror film release in as many months after this summer's surprise hit 'The Conjuring.' Unfortunately, the sequel gives diminishing returns as the scares are dialed down and the laughs (intentional and unintentional) are cranked way up.

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Category: movie reviews
Prisoners review
Warner Bros.
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‘Prisoners’ Review

Here's a tip. If you don't want people to think you are a child molester, pick out different frames than the ones Paul Dano wears in 'Prisoners.'

When neither Jake Gyllenhaal (as Detective Loki - yeah, you read that right) or his CSI crew can find any evidence that suspected molester Dano abducted two little girls that went for an unsupervised walk through a Pennsylvania suburb after Thanksgiving dinner, it's up to one of the two fathers of the girls - Hugh Jackman - to take matters into his own hand...

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Riddick review
Universal Pictures
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‘Riddick’ Review

It should have been called ‘No Homo: The Movie.’

Vin Diesel, whose entire career feels like homage to the musclebound machismo of the 1980s, has possibly reached the peak – by which I mean, nadir – of his search for the meaning of virility. ‘Riddick,’ the overdue, and largely unwanted, third installment in Diesel’s first big film series, is so full of tough-guy overcompensation that it makes the ‘Fast and Furious’ movies seem like understated character studies by comparison.

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Category: movie reviews
Getaway review
Warner Bros.
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‘Getaway’ Review

It's clear from the start that 'Getaway' is not a good movie. The opening sequence is a mess of different video stocks and flashbacks, an easy tell that a team of editors tore out their hair trying to skip as much boring exposition while leaving the first scenes cogent. But once former race car driver Brent Magna (Ethan Hawke) is behind the wheel of his stolen souped-up vehicle and is receiving crazy, destructive orders from the disembodied voice of Jon Voight, there's at least plenty of smashy-smashy to keep you occupied. The bad guy has some master plan – kidnapping Hawke's wife so that he'll be a mobile slave to his chaotic whims is part of laying the ground work.

But more than seeing traffic destruction on the streets of Sofia, Bulgaria (this month's production location low-bidder) there's a bigger catastrophe. Fifteen minutes into the movie, Selena Gomez shows up.

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Category: movie reviews
The Grandmaster
The Weinstein Company
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‘The Grandmaster’ Review

How could something that is so gorgeous also be so damn dull? Well, where there's a will, there's a Wong Kar Wai.

The jazzy, experimental arthouse darling of the 1990s ('Chunking Express,' 'Fallen Angels,' 'Happy Together') fails to get out of his '2046'/'My Blueberry Nights' slump with 'The Grandmaster,' a strong contender for most boring picture of 2013. The version I saw is the Weinstein Company's “American Cut,” not to be confused with the homegrown successful “Chinese Cut” or the intermediary cut that played at festivals like Berlin.

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Category: movie reviews

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