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Despicable Me 2 Review
Universal
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‘Despicable Me 2′ Review

I am not a monster. I want to be very clear and upfront about this. Yes, those little squibbling yellow marshmallows called “minions” in 'Despicable Me' and 'Despicable Me 2' are adorable. I don't care how much of a tough guy you think you are, when these little buggers are vrooming about the screen and warbling and wobbling and making exaggerated facial expressions; it is biologically impossible for a human being not to smile. They're wonderful and the design team that creates them (and the scientists who code the array of imaging rendering computers) should all continue to take a bow. With this qualifier out of the way, allow me to warn anyone over the age of 10 or 11 that 'Despicable Me 2' stinks.

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The Heat review
20th Century Fox
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‘The Heat’ Review

“She's crazy!”

That's what 'Arrested Development' star Tony Hale shouts from the back of Melissa McCarthy's broken down jalopy of a police car as she goes through the motions of an uninteresting chase sequence.

"Hoo boy," I mutter. "We're in for another 'Identity Thief' here" - a movie where physical comedy and riff-heavy music cues will have to suffice instead of any real wit. But something happens about 10 minutes into 'The Heat,' the latest comedy from 'Bridesmaids' director Paul Feig. McCarthy's Detective Mullins loudly and brashly bursts into a room and meets Sandra Bullock's Special Agent Ashburn.

The chemical reaction is instantaneous. McCarthy and Bullock, both naturally funny people, feed off one another and crackle as one of the best comedy pairings since John Cleese and Michael Palin. 'The Heat' is a decent movie; McCarthy and Bullock are outstanding.

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Category: movie reviews
White House Down review
Sony Pictures
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‘White House Down’ Review

'White House Down' has the disadvantage of being the second 'Die Hard'-in-the-White-House movie of 2013 after 'Olympus Has Fallen,' and the advantage of being superior to its predecessor in every conceivable way. It's better directed, better written, and better acted. The action is better, with more impressive special effects; the production design is better, with a much more convincing replica of the White House; the camerawork is better; with clear, lucid images. Where 'Olympus Has Fallen' was grim and stern, 'White House Down' actually embraces the silliness of its premise. It's more exciting and more faithful to the 'Die Hard' formula. This is still basically a shameless ripoff popcorn movie, but it's a shameless ripoff popcorn movie popped to near-perfection.

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World War Z Review
Paramount
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‘World War Z’ Review

The title is 'World War Z,' but I can think up two other letters: "O" and "K."

'World War Z' is okay because it zips along with the fury of a computer-generated cascade of fast zombies. 'World War Z' is okay because Brad Pitt is a great leading man, even if his character has no depth. 'World War Z' is okay because there is always a fatalistic draw to see our social order tumble and great cities reduced to cinders.

It is also, unfortunately, merely okay because there's nothing in this movie you haven't seen before.

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The Internship review
20th Century Fox
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‘The Internship’ Review

The term "product placement" feels insufficient to describe the role of Google in 'The Internship.' This is not so much product placement in a movie as movie placement in a product. For two hours, viewers are treated to a series of bright, high-energy sales pitches for the San Francisco search engine and its vast array of products and services -- Google Play, Google Drive, Google Helpline, Google Maps and, of course, plain-old Googley Google -- plus, occasional attempts at comedy from Vince Vaughn and Owen Wilson while they stand in front of giant Google logos. Shameless? Absolutely. But that wouldn't be such a problem if 'The Internship' wasn't so mirthless, as well.

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After Earth review
Sony Pictures
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‘After Earth’ Review

Seventeen summers ago, Will Smith gave us the catch phrase "welcome to Earth" and then punched an alien in the face. This time he's the invading alien (kinda) and his new line "this is Earth" is much more doom and gloom than swagger. An international icon, father and potentially the next great crazy celebrity, Will Smith is finally ready to pass the baton to his son Jaden.

But it isn't a baton he's using in 'After Earth' (an original sci-fi film based on a story of Smith's own creation) but a C-40 Cutlass – a doohickey kinda like Darth Maul's lightsaber, which springs out different blades depending on what you need. Actually, we never quite know how the Cutlass in 'After Earth' works, but it is one of a number of really nifty gizmos that populates the half-baked mythos of this film.

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Category: movie reviews
Fast and Furious 6 review
Universal Pictures
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‘Fast and Furious 6′ Review

'Fast Five' attempted - and quite successfully I might add - a reboot of sorts for the entire 'Fast and Furious' franchise, turning a series of movies about car racing into one exciting heist film. It was big and brash and sweaty and a complete success. So where do you go from there? 'Fast and Furious 6' attempts to answer that question by adding an -er suffix to all those adjectives above. Bigger, brasher, sweatier.

'Fast and Furious 6' is like 'Fast Five' on nitrous - director Justin Lin hits that proverbial turbo boost to go bigger, faster, stronger - and at times, that is a great thing. But when the NOS runs out, the drag race just turns into a drag.

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Category: movie reviews
Hangover 3 review
Warner Bros.
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‘Hangover 3′ Review

'The Hangover' giveth and 'The Hangover' taketh away.

The first 'Hangover' made Bradley Cooper, Ed Helms, and especially Zach Galifianakis stars, and it elevated Todd Phillips from middling Hollywood director to name-brand comic auteur. But in the film industry, success that surprising and enormous demands more success; the beast must be fed. But as 'The Hangover Part II' and especially the new 'Hangover Part III' prove, it is very hard to make a good sequel to a truly original idea. 'Part II' went the rehash route, recycling the plot of the first movie so brazenly you almost had to admire its chutzpah. 'Part III' finally breaks with the formula a little (SPOILER ALERT: there is no hangover), but still doesn't produce anything even remotely worthy of the first film.

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‘Star Trek Into Darkness’ Review

J.J. Abrams is going to make the greatest 'Star Wars' movie in history.

With 'Star Trek Into Darkness,' Abrams' follow up to the 2009 'Star Trek' reboot (or continuation of the series, if you are Spock Prime) he has solidified his position as a master of propulsive, visceral filmmaking. Dude knows where to put the camera, when the music should swell, when the characters should zing each another or when they should project pathos to the cheap seats. The 'Star Wars' films are mostly gut and little brains and, unfortunately, that is what we have here. The movie still works as an exemplary thrill ride – I laughed, I cried, I cheered – but woe be to anyone who gets caught in a conversation afterwards trying to explain the overly complicated and, at times, silly plot. If you expect something a little sharper out of 'Star Trek' you may come away with some mixed emotions.

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Category: movie reviews
Iron Man 3 review
Marvel
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‘Iron Man 3′ Review

From the earliest days of his appearances in Marvel Comics' 'Tales of Suspense,' Tony Stark has always been modeled after aviator/inventor/industrialist Howard Hughes. With 'Iron Man 3,' Stark assumes a new dimension of Hughes' persona: that of the paranoid shut-in who, in his later years, became notorious for roaming his private floor of the Desert Inn Hotel in Las Vegas, freaking out about invisible germs and collecting jars of his own urine. 'Iron Man 3's' Tony Stark, played once again by the inimitable Robert Downey Jr.isn't quite that bad, but he's getting there.

After the events chronicled in 'The Avengers,' where Manhattan was nearly leveled by invading aliens and Tony himself was almost killed, he's become obsessed with upgrading his armor -- leaping all the way from the Mark VII to the Mark 42 in a matter of months. When anyone mentions New York or aliens, Tony gets panic attacks. There's a reason Daredevil, not Iron Man, is the Marvel hero known as "The Man Without Fear." Poor Tony is terrified.

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