When you are a known quantity, a famous face or maybe a guy well known for working on famous faces, you open yourself up to parody. That’s the number one rule of comedy: nothing and no one is off limits. And yet the news that infamous “celebrity dermatologist” Dr. Fredric Brandt has passed away so shortly after being ruthlessly (and let’s be brutally honest here, hilariously) mocked on Netflix’s Unbreakable Kimmy Schmidt is sad news ... especially since it is now being implied that the show’s take on him may have contributed to his death.
The early estimates for the opening weekend gross of Furious 7 are all over the place and we probably won’t have a definitive number until tomorrow, when the dust finally settles and everyone gets a chance to breathe. However, this one thing we know for sure: the seventh film in the Fast and Furious series didn’t just shatter in-franchise records, it shattered records for any April release.
It was inevitable: Disney is making a live action Winnie the Pooh movie because of course Disney would make a live action Winnie the Pooh movie. The studio’s tactic of bringing their animated properties into the live action realm has already paid off with Alice in Wonderland, Maleficent and Cinderella, so why not pay another visit to the Hundred Acre Wood and let a live action Christopher Robin hang out with a CGI Piglet?
In one of the strongest box office weekends of 2015 so far, both Home and Get Hard opened strong while Insurgent and Cinderella continued to perform well. This was the rare weekend that literally offered something for everyone, with R-rated comedies and animated family fare exceeding expectations.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
Suddenly, Disney’s upcoming live action version of Beauty and the Beast is looking like a very wise move. After all, their new take on Cinderella shook the box office out of the doldrums, launching with numbers that feel more at home with the summer than March. Yes, it even took down that might spring movie season titan Liam Neeson.
Long before he was an internet meme, Chuck Norris was a genuinely skilled martial artist whose ass-kicking abilities were put on display in dozens of action movies. Running the gamut from massively entertaining (The Delta Force) to totally baffling (The Octagon), Norris’ films all have one thing in common: each one sees him kicking a whole bunch of people. So, in honor of the man’s 75th birthday, let’s all take a moment to enjoy a video supercut of Norris kicking people and things.
With some of the year’s biggest movies only a month or two away, the box office seems to have entered a holding pattern. Some of the new releases are minor hits. Others crash and burn. Right now, Hollywood just seems to be crossing their fingers and hoping for the sweet, sweet summer movie season to come along and save them (or at least the April release of Furious 7). In other words, every new release underperformed this weekend.
After six years, one of the Oscars’ boldest (and most desperate) experiments may be coming to an end. In 2009, the Academy Awards changed its rules to allow up to 10 films to receive Best Picture nominations. The thought process was simple enough: with double the potential nominees, more mainstream fare could get nominated and ratings for the annual Oscars telecast would increase. But that didn’t work. This year’s ceremony was a disaster (in more ways than one) and the Academy is apparently ready to call this whole thing off and return to the old ways.
When he passed away last week at the age of 83, Leonard Nimoy was mourned by actors, artists, politicians, scientists, engineers, astronauts and even the President of the United States. That should tell you something. Few characters have had such a seismic impact on popular culture as Star Trek’s Spock and countless people all over the world felt like they had lost a friend. Amidst the countless tributes, there is now one that stands out: a brief but powerful remembrance from Zachary Quinto, who picked up the Spock mantle in 2009’s Star Trek and its sequel, Star Trek Into Darkness.
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